| 
    
Titel
	- 
Peep-Hole Sheet Issue #01 - Stories
      
 
 
Technische  Angaben
	- 
8 S., 33x24,5 cm, Auflage: 1.000, numeriert,  ISBN/ISSN 9788896501009
 Blätter lose ineinander gelegt, gefaltet in transparenter bedruckter Kunststoffhülle     
 
 
	
	
	ZusatzInfos
	
		- 
	Peep-Hole was an independent contemporary art center operating in Milan from 2009 to 2016. During seven years, Peep-Hole has organized many exhibitions involving some of the most interesting international contemporary artists. It published 28 editions of the quarterly journal of artists writings Peep-Hole Sheet with texts and developed projects in partnership with numerous institutions. 
 
Text von der Website.		 
	 
	 
	
	
				
					
			
		
		
			
		
		
 	 | 
	
	
    
Titel
	- 
Peep-Hole Sheet Issue #02 - The Ruin of Exchange
      
 
 
Technische  Angaben
	- 
12 S., 33x24,5 cm, Auflage: 1.000, numeriert,  ISBN/ISSN 9788896501016
 Blätter lose ineinander gelegt, gefaltet in transparenter bedruckter Kunststoffhülle     
 
 
	
	
	
				
					
			
		
		
			
		
		
 	 | 
	
	
    
Titel
	- 
Peep-Hole Sheet Issue #03 - Mad Marginal
      
 
 
Technische  Angaben
	- 
8 S., 33x24,5 cm, Auflage: 1.000, numeriert,  ISBN/ISSN 9788896501023
 Blätter lose ineinander gelegt, gefaltet in transparenter bedruckter Kunststoffhülle     
 
 
	
	
	
				
					
			
		
		
			
		
		
 	 | 
	
	
    
Titel
	- 
Lettere dal sedile del passeggero quando nessuno è al volante
      
 
 
Technische  Angaben
	- 
72 S., 23,5x16,5 cm,  ISBN/ISSN 9788896501269    
 
 
 
	
	
	
				
					
			
		
		
			
		
		
 	 | 
	
	
    
Titel
	- 
Bookspace 01 - Allan Kaprow - A Bibliography
      
 
 
Technische  Angaben
	- 
124 S., 23x16,8 cm,  ISBN/ISSN 9788896501795    
 
 
 
	
	
	
				
					
			
		
		
			
		
		
 	 | 
	
	
    
Technische  Angaben
	- 
56 S., 30,5x21,5 cm,  ISBN/ISSN 9788896501610
 mit Kunststoffumschlag, geklammert     
 
 
	
	
	ZusatzInfos
	
		- 
	This publication documents the monumental collaborative work which Liam Gillick and Lawrence Weiner produced for the Antwerp museum of contemporary art MuHKA in the spring of 2011. Tellingly titled A Syntax of Dependency:, the project could be viewed as the outcome of a twenty-year dialogue between artists, artistic practices, generations. This giant floor piece, consisting of an abstract linoleum pattern containing an array of phrases, took up the museum's entire first floor - its site-specifity meaning that the end of the exhibition also entailed the work's irreversible destruction. This photo novella - complete with fragments of a conversation between both artists and a short text by exhibition curator Dieter Roelstraete - captures the work in its unique desolate splendor		
 
	 
	 
	
	
	
			
		
		
			
		
		
 	 | 
	
	
    
Titel
	- 
Drawing Room Confessions #1
      
 
 
Technische  Angaben
	- 
82 S., 17x11 cm, Auflage: 700, 2 Stück.  ISBN/ISSN 9788896501276
 Aufkleber auf dem Titel     
 
 
	
	
	ZusatzInfos
	
		- 
	Drawing Room Confessions is a new printed journal named after a parlour game played by Marcel Proust, the Surrealists and others. It is made of words and exchanges, with no images.Six different sections (The Egoist, The Blind Man, Two to Tango, Ekphrasis, Time Line and La Madeleine) comprise the Rules of the Game, which are the same in each issue. What changes are the players, or interviewers, who open each round of conversation with the featured artist and who come from a wide range of fields.
 
THE CAST 
CHARLES: Charles Avery 
THE EGOIST: Robin Mackay 
THE BLIND MAN: Evelyn Fishburn 
TANGO: Angus Cameron		 
	 
	 
	
	
	
				
					
			
		
		
			
		
		
 	 | 
	
	
    
Titel
	- 
Drawing Room Confessions #2
      
 
 
Technische  Angaben
	- 
50 S., 17x11 cm, Auflage: 700,  ISBN/ISSN 9788896501412
 Broschur, Aufkleber auf dem Titel     
 
 
	
	
	ZusatzInfos
	
		- 
	THE CAST
 
JASON: Jason Dodge 
THE EGOIST: Michael Dickman 
THE BLIND MAN: Juan Lucas Aisemberg 
TANGO: Michael Dean		 
	 
	 
	
	
	
				
					
			
		
		
			
		
		
 	 | 
	
	
    
Technische  Angaben
	- 
144 S., 23x16,3 cm,  ISBN/ISSN 9788896501337
 Katalog zur Ausstellung im Museion Bozen, geklammerte Blöcke in Umschlag     
 
 
	
	
	
	
	
			
		
		
			
		
		
 	 | 
	
	
    
Titel
	- 
Mousse #36 Contemporary Art Magazine
      
 
 
Technische  Angaben
	- 
248 S., 37,5x 26.5 cm, keine weiteren Angaben vorhanden
 Broschur     
 
 
	
	
	
	
				
					
			
		
		
			
		
		
 	 | 
	
	
    
Technische  Angaben
	- 
32 S., 21x14,8 cm, Auflage: 300, keine weiteren Angaben vorhanden
 Drahtheftung, kleinerformatiges Impressum auf andersfarbigem Papier vor eigentlichen Umschlag Drahtheftung,     
 
 
	
	
	ZusatzInfos
	
		- 
	This booklet—with a graphic design that resembles a school notebook from the 50s—was created to accompany an exhibition at Larada by Adrien Missika, a young Parisian artist based in Geneva. In 2004, Missika set out on an original “grand tour” that skipped all the monuments and glorious ruins of Europe and took him instead through the peripheral neighborhoods of various Old World capitals, from Milan to Moscow. The result was Einfühlung (2008): a series of low-resolution, cell-phone photos of impressive Collectivist architecture, a legacy of the Modernist social utopias. Images of this work and others, including Grand Prix (2008), a video in which dromology meets archeology, and Daily Archeology (2010), serve as photographic references for the critical text by Patrick Gosatti.
 
Text von der Webseite		 
	 
	 
	
	
	
				
					
	
			
		
		
			
		
		
 	 | 
	
	
    
Titel
	- 
Peep-Hole Sheet Issue #07 - Notes from the bottom of a bag
      
 
 
Technische  Angaben
	- 
8 S., 48x33 cm, Auflage: 350,  ISBN/ISSN 9788896501498
 Blätter lose zusammengelegt, einmal gefaltet,     
 
 
	
	
	
				
					
	
			
		
		
			
		
		
 	 | 
	
	
    
Titel
	- 
Mousse #49 Contemporary Art Magazine
      
 
 
Technische  Angaben
	- 
312 S., 37,5x 26.5 cm, keine weiteren Angaben vorhanden
 Broschur. Eingelegt das Heft: The artist as curator #8     
 
 
	
	
	ZusatzInfos
	
		- 
	Schwerpunkt, die 8oer Jahre: The 80s, It's never too late to be what you might have been		
 
	 
	 
	
	
				
					
			
		
		
			
		
		
 	 | 
	
	
    
Technische  Angaben
	- 
36 S., 27,8x21 cm, keine weiteren Angaben vorhanden
 Drahtheftung, gelocht. Eingelegt in: Mousse #49 Contemporary Art Magazine     
 
 
	
	
	ZusatzInfos
	
		- 
	Hélio Oiticica, Apocalipopótese, 1968. Monica Amor and Carlos Basualdo, Mark Leckey, UniAddDumThs, 2014–15. Elena Filipovic		
 
	 
	 
	
	
	
				
					
			
		
		
			
		
		
 	 | 
	
	
    
Titel
	- 
To Be Determined - According to the Situation
      
 
 
Technische  Angaben
	- 
184 S., 24x16,5 cm,  ISBN/ISSN 978 88 6749 351 7
 Broschur mit Klappen; Einband mit aufgeprägtem Foto, Papier Einband mit textilähnlicher Struktur, Vorsatz/Nachsatz bedruckt mit Foto schwarzweiß, innen verschiedene Papiersorten für Fotos, Texte und Zeichnungen. Druck: Tipografia Valdostana     
 
 
	
	
	ZusatzInfos
	
		- 
	Erscheint zur Ausstellung im S.M.A.K., Gent, Belgien,11.03-04.06.2017.
 
"Welcome to the world of Dirk Zoete. Because that’s what his work is: a conceived universe. The way someone leaning over a table makes a plan and imagines the world. While technology takes us into several intangible dimensions with virtual reality and other applications, Zoete makes us believe the world is still flat. Everything seems to have only a front and a back. As if we still believed that the earth is just a disk, and we can fall off. Zoete’s drawings are clumsy, intermittent, naive, adventurous, simple. It’s like a child’s imagination, depicting in a heap what you otherwise cannot fit on a piece of paper." Philippe Van Cauteren. Published in occasion of his first major solo exhibition in a Belgian museum, To be determined. According to the situation, held at S.M.A.K. in Gent in 2017, this catalogue explores Dirk Zoete’s peculiar practice. Enriched by essays and texts by Philippe Van Cauteren, Stephan Berg, Koen Peeters and Ann Hoste, the book is a journey through the artist’s process—who, starting from a drawing, generates models, sculptures, architectural constructions, photos, films. An all-encompassing approach that makes the Belgian’s work outstand as a natural successor of the German Bauhaus and Russian Constructivism, but with a more human touch. 
The catalogue features a wide selection of images, presenting the many different stages of transformation of a drawing into a three-dimensional piece, and the hybrid nature of the exhibition set-up, a mix of a museum show and an artist’s studio, both essential characteristics of Zoete’s art."  
Text von der Webseite		 
	 
	 
	
	
	
				
								
					
			
		
		
			
		
		
 	 | 
	
	
    
Titel
	- 
LETTERS TO JILL - a catalogue and some notes on copying
      
 
 
Technische  Angaben
	- 
128 S., 21x14,8 cm, Auflage: 1.000,  ISBN/ISSN 9788867494095
 Broschur mit Banderole     
 
 
	
	
	ZusatzInfos
	
		- 
	Reprint nach einer Publikation des Visual Studies Workshop in Rochester, 1979, erschienen zur posthumen Ausstellung im Kunstverein München Something other than either, von März bis August 2020.
 
The book is composed of images and texts by Hill through which she intended to contextualize and explain her working methodology to Jill Kornblee, her New York gallerist. Untrained as an artist, Pati Hill began to use the photocopier as an artistic tool in the early 1970s, leaving behind an extensive oeuvre that oscillates between image and text. Besides this comprehensive body of xerographic work, she published four novels, a memoir, several short stories, wrote poetry, and made drawings. Instead of an exhibition catalog that would offer an interpretation of her work, this publication provides space for Hill’s own writing that interrogates and accompanies her visual work. 
Text von der Webseite		 
	 
	 
	
	
	
				
					
			
		
		
			
		
		
 	 |